Showing posts with label Spike. Show all posts
Showing posts with label Spike. Show all posts

Wednesday, January 6, 2010

S02 E01– Eggbert

I'm back! Didja miss me?

Season 2 begins in fine style, with that obligatory staple of every teen drama: the one where some kids have to take care of a fake baby. Of course, usually this is a school project intended to scare the characters (and the audience) into using a condom, dammit, but this being Degrassi, someone's already pregnant, and it's just the audience getting educated. And boy, are they going to get educated.

We open with a shot of some eggs, and a voice explaning, "When I got pregnant…" Wow, we're only seconds into Season 2, and we're already approaching the giddy metaphorical heights last seen with the flowers of lesbian symbolism. They've really raised their game this time round.

As the camera pans out, we see that Spike's sitting in a room surrounded by girls with basketballs under their tops. One of them is monologuing resentfully about how when she got pregnant, her boyfriend wanted to help, but his father wouldn't let him get involved. Shockingly, it seems teenage pregnancy is still a complex and difficult issue, just like it was last season.

(Also, because it's 1987, everyone's jeans are two inches too short, and  there's a whole pile of boxes labelled "Computer Paper" in the corner of the room. Remember that stuff? Ugh, I'm old.)

Spike is listening very intently, and the Spike 'n Shane Angst Theme is playing softly in the background. Fortunately for all of us, the woman in charge of the support group interrupts the random girl's tale of patriarchal injustice, because she has something much more important to talk about: eggs. Or, as she puts it, "A lot of you have asked what it might be like if you decide to keep your babies. I can't tell you that, but I can suggest an experiment that will help you see one aspect. You take an egg, and for two full weeks, you treat it as if it were an infant." Breastfeeding an egg sounds… challenging. I'm sure I could think of other ways in which an egg isn't very much like a real baby, but the screaming of my neighbour's newborn is distracting me.

Anyway, they have to keep the egg warm, protect it from "abuse and accidents" (because there are hordes of paedo scumbags out there just waiting for you to turn your back on your eggs for a second), and make sure it's not left unattended. They also have to arrange "appropriate daycare" for when they're at school, or else take it with them. No explanation on what constitutes appropriate daycare for an egg; I assume they have to leave it with a friendly hen or something.

So, childrearing: difficult. But in case anyone hadn't got the message, the lady corners Spike after the session and tells her, "Taking care of an infant is going to make a big difference in your lifestyle." Spike looks like this fact had genuinely never occurred to her before. Can she manage to raise this eggbaby and spend three hours a day styling her hair? Stay tuned to find out.

After the opening credits, we're back at school. Even though it's meant to be right after the Christmas holidays (there was snow on the ground at the end of last season/term), it's clearly summer. Apparently Season 1 was made during the school year, but after that the show was filmed in the summer holidays, so henceforth the weather is always sunny and everyone always wears shorts. In addition, everyone has aged visibly since last season. It was obviously a very stressful Christmas.

Speaking of stressful, Shane is sitting on the steps, looking tortured. Kathleen, still a bitch, speculates on whether he got any more girls pregnant over the holidays. Then says a bright friendly hello to him. Awww.

Spike's with the twins. One of them (I'm guessing it's Heather because she's showing less skin) asks her if she still feels sick every morning. "No, that's over," Spike says, "but I'm starting to get fat." This is the second time we've been told that pregnancy will make you fat. Seriously? I think this would not really be news to most teenagers. Anyway, the girls obligatorily deny that she's fat, but she insists she is, and that everyone will stare, and a lot of people *coughShanecough* already stare at her.

Remember, girls: sex will make you into a fat circus freak. Never have sex.

On cue, Shane shuffles over and tries to say hi, but Spike tells him there's "nothing to say", and the twins give him identical death glares. "What a creep!" Spike mutters to Heather.

Remember, boys: if you try to maintain any kind of relationship with the mother of your unborn child, that makes you a creep. Stay far away!

All this time, Spike's been carrying a little cardboard box, and Erika (who's now spelling it Erica, according to the credits) asks her what's up with that. Spike replies that she's "sort of babysitting an egg". Yeah, that's a helpful response that instantly clarifies the situation. Anyway, she explains vaguely to them that this will "help me to find out what taking care of a baby is like", which is still COMPLETELY UNTRUE, WTF.

Meanwhile, some of the Grade 7 girls are watching them, and Kathleen offers some words of wisdom: "Pregnant girls shouldn't be allowed at Degrassi. Spike should go to a home or something. She sets a bad example." Yeah, when the other girls see how much fun Spike is having, they'll all want to get pregnant! Caitlin is predictably righteous and indignant, while Melanie and Susie sarcastically ask if Shane should have to go to a home too. "He's not pregnant!" Kathleen replies. Ah, Kathleen: still bravely flying the flag for small-town closed-mindedness.

In a classic Degrassi scene… Wheels and Joey are urinating. Again. At least we're spared the sound effects this time, and just have to listen to Joey's nonsensical rambling. "You're French kissing a chick, right? And then she bites. Your tongue gets infected so you can't talk. It happens all the time." It… does? Wheels, who's really been working on his mullet over the holidays, suggests that if French kissing was so dangerous, people wouldn't do it. Just on cue, in comes Shane, that guy who did a risky thing and suffered dire consequences.

"Shane, my man! You know about chicks," Joey begins. Shane continues to look tortured, but concedes that he knows "a bit" about them. "'A bit?' You got Spike pregnant, right?" answers Joey. Shane takes offence at this, and threatens Joey with… a comb. After some tense glowering, he relents and puts the comb away. Phew. That could have turned real ugly.

"What's going on with you and Spike anyway?" asks Wheels. Shane says that she won't talk to him. Wheels asks what his parents say about it, and Shane admits that he hasn't told them. "They always want to send me to private school, like my brothers. I like it here. If they knew about Spike…" At this, Joey and Wheels just shrug and leave the room. As you do. Seriously, they're the worst friends ever. An extra-waily version of the Spike 'n Shane Angst Theme wails in the background.

Out in the hall, Steph is going through her locker, taking out all her Hideous Skankwear and throwing it in the bin. She's wearing a pink high-necked blouse with ruffles and bows, and looks like the love-child of a Victorian librarian and Princess Diana.

Alexa breezes over to her and asks what's going on. "I don't need these any more," Steph explains, throwing what looks like a large collection of Mardi Gras beads into the bin. Well, yeah, those probably aren't the most useful things to keep around. "This term, I'm going to be mature and responsible. I'm going to be the real me." Wait, which is it? Is she going to be mature and responsible, or is she going to be herself?

Alexa's eyes bulge out eagerly and she asks if she can have Steph's old clothes. Steph says that's fine, and tosses her a geometric-print boob tube. "I can't believe you're throwing this out!" Alexa gushes. Steph smirks at her. "It's OK for you, Alexa, but I'm school president. I have to look more adult." Actually, her outfits last term were disturbingly adult.

Meanwhile, Yick is digging through some locker crap, as always, when Arthur sneaks up on him and starts squirting him with a water pistol. I think they've officially crossed the line into blatant flirtation.

They're interrupted by an adorably geeky little boy, who asks them how to find Ms Avery's class. Yick and Arthur stare at him, then give him directions. "Why are you looking for 7C?" asks Yick. "It's my class!" says the new kid, before skipping off, full of the joys of fake spring. Yick and Arthur look utterly disgusted. "Since when do they allow little kids in junior high?" Arthur asks. "I don't like little kids," growls Yick, who apparently got a bumfluff moustache and a gravelly voice for Christmas. "They're so immature."

In Mr Raditch's classroom, Spike (who's rocking a pink satin nightshirt and pinstripe waistcoat worthy of Claudia Kishi) is proudly showing off the egg to her classmates, who inexplicably are interested. Even Steph. Someone actually calls it cute. They have little enough to amuse them up in Canada.

Alexa grabs the egg and decides it needs a face drawn on it. "Just be careful, ok?" asks Spike. See, she's learning already: you have to make sure your friends are careful when drawing on your baby. Otherwise it's just bad parenting.

"I thought you were going to give your baby up for adoption," says Lucy. Spike explains that that was just an idea she considered in order to provide a B plot for the Wheels Is Totally Adopted episode she keeps changing her mind. Lucy, none too politely, tells her she's too young to be a mother. Could that be because motherhood is difficult and will necessitate changes to one's lifestyle? You heard it here first. And second. And third.

"I'd keep it!" Alexa chirps. "I love babies!" She holds up the egg, on which she's drawn a cartoon face. Somehow, it's a very '80s cartoon face. They don't draw cartoon faces like that any more. "Now it needs a name," she decides. Spike looks depressed , which is her standard response to most things. Lucy snaps that it's just an egg, but Alexa, who's getting way too into this, insists it's a baaaaaby. "Call it Eggbert!" says Heather. "It looks like an Eggbert!" I don't even know what that's supposed to mean. "It doesn't look like a Spike." Everyone giggles forcedly. Luckily, nobody's tasteless enough to speculate on whether it looks like a Shane.

The bell goes, and the Zit Remedy guys come in. "Check out Steph's clothes!" Joey whispers. "She must be going to a costume party or something," Snake says. "As what?" Joey answers. "A nun?" Uh, I'm pretty sure nuns don't actually wear that much pink. Not for everyday wear, at least. Maybe for Easter or something.

In comes Shane, and I'm beginning to think this actor was cast solely for his ability to look suicidal. He stares at Spike, she glares at him, the Spike 'n Shane music plays, you get the idea.

Finally, Mr Raditch walks in, and welcomes the kids to another term of "fun and excitement", by which he presumably means "batshit-crazy issue-driven drama punctuated by stultifying Yick-and-Arthur subplots". He's followed by another new kid, who he introduces as Simon Dexter. You can tell Simon is supposed to be sexy and glam because he has floppy blonde hair, a leather jacket, and sunglasses. Also because Alexa and Steph are shooting him looks of insatiable lust.

Simon sits down, and Steph and Lucy whisper about how he looks like "the guy from the Super Crunch Delight commercial". Yes, Simon is a small-time teen star. Because piffling quasi-fame is an issue so many kids have to deal with in their day-to-day lives.

Spike is still staring at the egg. That thing will get confiscated if she's not careful, and I'm pretty sure the support-group lady won't look on that too kindly.

Meanwhile, Ms Avery, wearing a blindingly yellow shirtdress and the communal diamante belt, is introducing her class to the little boy from earlier. He's been accelerated to junior high, and his name is Scott, but he says everyone calls him Scooter, which Ms Avery goes along with because she's a liberal. Yick stares fixedly at Scooter, but Arthur gets his attention back by squirting him in the face with his water pistol. It's all rather Freudian.

After class, Shane is following Spike around again. He claims that she can't stay mad at him forever. "Wanna bet?" she snarks. "I'm sorry you got pregnant," he mumbles, "but it was an accident. Why can't we be friends like before?" "I wasn't pregnant before!" she shouts. Rick and Alex are walking by, and stare at her in fascination, because apparently the revelation that she wasn't always pregnant is big news.

Shane admits that he feels bad and wants to help. There's a close-up of Spike's face looking angst-ridden, and… wow, she kind of has a spectacular moustache all of a sudden. Oh dear.

Anyway, she considers it for a minute (the Shane thing, not her moustache) and then hands over the egg. "What's this?" he asks, proving yet again that he's not the sharpest knife in the box.

"That's Eggbert," says Spike. "You've got to take care of him for a week." Shane looks completely horrified, and says that the whole thing is dumb. "It's not!" Spike insists. "It's what taking care of a baby's like." For the last time: no. it. isn't. Anyway, Shane looks tortured, and there's some close-ups of the egg in his hand, his tormented face, the egg, etc.. "How do I explain this to my parents?" he asks. Spike just shrugs and, eggbaby safely palmed off, makes herself scarce.

A bit later, Shane gets home, hiding the egg in his shirt pocket, just like you do with a real baby. In an attempt to underscore how conformist and middle-class his family is, his mother is at home, baking. Although for some reason, she's wearing a leather apron. Also, remember when Tony Curtis was in drag in Some Like It Hot? I swear, she looks like a middle-aged version of that.

Tony Curtis asks Shane why he's late home, and he says he had to talk to someone. "A girl, no doot!" she teases. "You'd better watch out for those girls, Shane." Yeah, the girls of Degrassi are terrible. So sinful and fertile.

Meanwhile, Shane's dad, who's been on the phone until now, hangs up and starts fretting over the delinquent son of some acquaintance. "Tell me, Shane," he asks, "do any of the kids in your school do drugs? Have you ever heard of something called crack?" Shane's dad has an interesting line in small talk.

As Tony Curtis cracks egg after egg into a mixing bowl, lest we forget the egg-related theme of this episode, Shane's dad (who's a minister, just to ramp up the idyllic middle-classness of this family) drones on about how kids these days are continually "messing themselves up one way or another", and how he appreciates what a "fine young man" Shane is. If Shane has been responding to every such comment for the last few weeks with the same look of panicked insincerity, I cannot believe they haven't rumbled him yet.

Later that week, Shane's carrying the egg to school in… a plastic baseball cap for some reason? Huh. Random people are making chicken noises at him and saying things like "You and the egg have a big weekend planned?", because being seen in the company of an egg is apparently hilarious. I don't understand people sometimes.

Steph tells the twins that she saw the Super Crunch Delight commercial again, and it's definitely Simon in it. Erica isn't sure. "You guys have been acting like narbos all week," Heather complains. "If you want to find out if he's in the commercial, just ask him." That's right, folks: "narbo" is the new "broomhead". Just then, Simon goes by, and Erica hitches up her skirt by about a foot. When he's gone, she and Steph make hysterical squealing noises. Ugh, fangirls.

Upstairs, Shane is still getting mocked. Joey and Wheels and Snake come over and swap "hilarious" egg-related puns, which I won't repeat here, because I'm nice like that. Shane continues to look tormented.

Arthur is reading a comic book, when Yick sneaks up and squirts him in the face with a water pistol of his own. They proceed to squirt at each other. Then they catch Scooter staring at them, and get mad, and threaten him with their water pistols. He runs off. This is, hands-down, the feeblest Arthur and Yick non-story ever.

In Mr Raditch's classroom, Shane's studying when some guy leans over and steals the egg. "Please tell me a joke, Daddy," he says in what's presumably supposed to be an egg voice. "I promise not to… crack up!" Then he throws the egg to Tim, and everyone starts clucking again. Wow, way to be supportive, people. Shane gets the egg back, but not before Spike sees all the egg-throwing and fun. She's not impressed.

Just then, Lucy runs in, and announces to the class that she's having a party that night and they're all invited. Everyone cheers, even Spike, who you'd think would want to stay far, far away from Lucy's parties after the last one. "Another party? Your parents don't mind?" asks Steph. "They don't know," Lucy explains. "They're going out of town tonight." Because they have jobs and don't love her. Although I'm glad to see she's moved on from angst-ridden shoplifting, and is now making her abandonment work for her.

The Zit Remedy guys high-five and exclaim about how much they love Lucy's parties. And speculate on whether Shane likes them too. Alexa (already wearing the geometric boob tube from earlier) announces she's going to wear Steph's cast-off Hideous Skankwear. Spike looks excited for the first time ever. Shane, in a dramatic departure from his previous behaviour, looks tormented.

As everyone leaves after class, the guys are still going on about how great Lucy's parties always are (wait, didn't Joey and Wheels end up roaming aimlessly around upstairs at the last one, then disguise their boredom by bingeing on chips?). Alexa starts hitting on Simon. Two feet away, Steph and the twins are hatching a plan for Steph to hit on him at the party.

Shane comes up to Spike and, classy as always, asks her to mind the egg that night so he can go to the party. She refuses, and points out that if it was a real baby he'd have to stay home with it. Yeah, and if it was a real baby I suspect they also wouldn't be allowed to take it to class all week. He begs and begs (what, is he hoping to impregnate someone else tonight?), and eventually she sarcastically tells him to ask his parents to babysit. Shane looks deeply wounded at such a blatant allusion to his wussiness and dishonesty.

Downstairs, Alexa is asking Simon to go to the party with her. He's delighted. Steph lurks in the background with the twins, trying to get up the nerve to go talk to him, but he goes away before she can manage it. "He said he'd dance with me!" Alexa squees. "Wonderful," Steph snarks.

Scooter is on his way home, saying goodbye to the other Grade Sevens. When he says bye to Arthur and Yick, they ignore him, because apparently they're assholes now. He then shoots Arthur in the neck with a water pistol. Arthur thinks it was Yick, even though they have a truce, and they start arguing. High-larious.

Speaking of assholes, the Zit Remedy guys are giving Shane a hard time over having to stay home and babysit the egg. Seriously, they're a bunch of dicks. Shane just says nothing and looks, you guessed it, tormented.

That evening, Lucy's getting ready for the party, wearing her grooviest purple satin jacket. The twins and Steph arrive, and she lets them in, then says, "Don't touch the booze, ok? Ever since I got caught shoplifting, my parents haven't trusted me." Except for the part where they've left her alone all weekend.

At Shane's house, things are dull and bourgeois. How dull and bourgeois? He's doing geography homework while his dad and Tony Curtis play gin rummy in the semi-dark. And because this is TV, and they think we won't notice Shane's having a boring night otherwise, there's a grandfather clock in the corner ticking very, very loudly.

Things aren't going too well at Lucy's house: seemingly the only cassette (hee!) in the house has got all tangled up, so there's no music. Wheels and Snake are desperately trying to listen to a Walkman together, and everyone else is sitting around and looking sad. Also, Lucy's trying to make everyone use coasters.

Simon asks Alexa to go out with him on Monday. Does this make her a groupie? When she goes off to get him a drink, he sleazes to Snake that he looooves the way she dresses. She's gone all out with the Hideous Skankwear: geometric boob tube, hot-pink leggings that don't fit her very well, and some sort of sparkly I Dream of Jeannie-inspired robe. She tells Steph that she's got a date with Simon, and Steph replies, "You know those clothes I lent you? I want them back." Alexa refuses, and Steph actually offers to buy them back, but Alexa's having none of it. Steph sulks in her pleated librarian blouse.

Just then, Shane arrives. Spike demands to know where Eggbert is, and he produces it from his shirt pocket. "Lots of people bring their babies to parties!" he tells her. Yeah, but it's kind of annoying when they do. As the Spike 'n Shane music strikes up yet afuckinggain, Joey runs over and steals the egg. Then everyone starts throwing it around the room, while Spike watches in horror. This is totally what would happen with a real baby.

Eventually the egg gets passed back to Shane, and everyone shouts for him to throw it to someone else. He looks briefly conflicted, then cheers up for the first time all episode and throws it to Joey. What else would you expect from such a classy dude? Spike gives him the frowning of a lifetime.

She flounces out, and Shane gets the egg back and follows her. Everyone gets pissed off at him for ruining the party. You know, if the success of a party depends on having an egg to throw around, it's probably never going to be a very good party.

Outside, Spike gets mad at Shane for not taking care of the egg, and he says he did, even though it was embarassing. "You think this isn't embarrassing?" she yells. "I'm gonna get fat! I'm gonna have a baby!" All right, we get it.

You'll never guess what music is playing (in a tender, synthy version) at this point. Spike says she's scared, and Shane says he is too, but she claims that he's only scared of his parents finding out. "They're gonna find out eventually," she tells him. "You think people won't talk when I get bigger and bigger?" He insists he can't tell them, and she points out that she can't ignore it like he can: "Everywhere I go, I'm pregnant!" If I ever end up pregnant, I want a T-shirt that says that.

"I'm trying to help – it's just a stupid egg!" Shane shouts. That's no way to talk about your substitute baby! Spike says the egg's not the point, and throws it on the ground. We see a close-up of Eggbert's smashed face smiling bravely as his yolk oozes everywhere. This doesn't have quite the emotional impact that the writers apparently hoped it would.

"You say you want to help, until it becomes inconvenient!" Spike shouts. "You don't want to help – you just want to stop feeling guilty!" She storms off down the road, with Shane half-heartedly calling after her. Then he stands around for a bit, and stares at the smashed egg for a while, and since the scene is extremely badly lit, it's sort of impossible to tell what he makes of it all. Eggbert still seems happy, though.

Later that night, Shane comes home. Because they're still dull and wholesome and bourgeois, Shane's dad is studying the Bible while Tony Curtis knits something grey. "You're home early," says Tony.

Shane looks vaguely bilious as he announces, "Mom? Dad? There's something I've got to tell you."

Oh, man! Shane's unloading the dark secret he's harboured for weeks! His parents' illusions are about to be shattered and he's finally going to face up to his responsibilities! Surely we're in for some real drama now!

…Actually, no. That's the end of the episode. Damn you, Degrassi!


Dubious lessons of the week: Pregnancy makes you super-fat, which is totes the worst thing evar. Babies are ovoid, silent, don't eat, and are easily concealable in a pocket or small cardboard box. Never give away your favourite hooker clothes; you never know when you'll need to seduce a saxy minor teen star.

Friday, October 30, 2009

S01 E12 – Parents' Night

We open on a shot of a rather mushy-looking birthday cake. Wheels is sitting on the couch, changing the strap on his bass guitar. The camera pans over the table, showing paper plates with crumbled-up pieces of cake (seemingly nobody found it too palatable despite its attractive blue-and-taupe icing) and a navy-blue birthday card with a painting of fishing boats, done in assorted shades of navy. It's the sort of birthday card that makes you happy you're one year closer to death.

Wheels's mother is ironing and lip-syncing to some English-language opera playing on the stereo. Her lip-syncing is actually kind of cute, although the music itself is suicidally bleak. "Now that's real music," she remarks, "not like that… rock noise you listen to, Derek. That's why we got you a good record." Wheels picks up the record (the South Pacific soundtrack) and sarcastically tells her he can't wait to listen to it.

Wheels's dad (he of the inept abstinence lecture from a few episodes back) then casually chimes in: "Derek, did you ever stop to think that maybe rock music is part of an alien plot to take over the world?" Apparently Wheels is used to his dad's deranged conspiracy theories, because he just laughs and answers, "Right, Dad." Well, I suppose there's not really much you can say to a question like that.

Just then, the phone rings. Wheels gets up to answer it, while his parents reminisce fondly about crooners. But when he picks up the phone, there's nobody there. Cut to a hand in a pair of fugly bright yellow leather driving gloves, hanging up a payphone. As some wildly over-elaborate drumming kicks in on the soundtrack, Wheels announces that the caller hung up. "That's strange," says his mother. "That happened earlier today." Everyone looks vaguely mystified.

After the opening credits, Wheels is arriving at school with some randomer. In the foreground, we can see a car parked just next to the entrance, and the driver is wearing fugly bright yellow leather driving gloves. These things are so bad that very few people can actually have bought a pair, so it's safe to assume that the lurker is the same person who called the Wheels house.

More importantly, Wheels and the other kid are engaged in some spectacularly bad improvised dialogue. The other kid asks Wheels what he got for his birthday, and Wheels answers: "Oh, my mum made me a big cake and it had three layers of chocolate and stuff and, uh, I got some clothes and stuff and – and – my mum and my dad? They got me a, a guitar strap? For my guitar?" The other kid, who's feebly trying to interject things, asks what colour the strap is. Wheels mumbles: "Aw, it's excellent! It's – it's kinda like, I guess it's, I'm not really sure, like, it's got, it's got brow – brownish colours and stuff…" The guy goes on about how the guitar strap sounds like the most awesome thing ever, and Wheels then rambles about how he's in a band with Joey and Snake, and really it would have been much kinder to all concerned if the writers had just written the kids some dialogue for this scene, because seriously, improv is not one of their strengths.

While all this is going on, the man in the yellow gloves gets out of his car, staring fixedly at Wheels, and stands there watching him go into the school. Wheels doesn't notice this, since he's busy giving this lengthy yet vague description of his guitar strap, but Snake sees the guy and eyes him suspiciously. As you do.

Inside the building, Snake catches up with Wheels and announces he's thought of a great name for their band: Snake and the Charmers. Wheels smiles politely and says he doesn't think Joey will like it. "Joey?" says Snake. "That guy knows nothing about names!" Oooh, burn. But apparently they've got to decide soon, because, as Snake says, "the talent show is next week, and we're going to be fabulous". I'm sure you are, Snake. I'm sure you are.

Snake asks Wheels if he noticed the man looking at him outside the school. "Looking at me?" asks Wheels. "Probably some pervert," says Snake cheerfully. How reassuring. The guys then discuss their report cards; neither of them did well. At least they have musical careers to look forward to, right?

On the PA, Mr Lawrence announces that a doctor from the Board of Health is coming to give a lecture on scalp hygiene, entitled "The Facts of Lice". I love this show.

Because at least 25% of the action in each episode must take place in a toilet, Wheels next runs into Joey in the boys' bathroom. Joey is busy forging his mother's signature on his report card, since he "forgot" to show it to his parents. As Wheels starts peeing (sigh), Joey remarks that he wishes he had Wheels's parents, since his own "have got, like, ZERO sense of humour". I don't know, his dad made that hilarious joke about child abuse before.

Also, Joey's decided that the band should be called Joey and the Joybuzzers. Wheels says it's fine, but Snake won't like it. "That guy knows nothing about names," sneers Joey. Apparently, "knowing something about names" was a prerequisite for coolness back in the day. Who knew?

Just as Mr Lawrence announces that one of the mythical other teachers has given birth to a bouncing baby boy, we cut to Spike and the twins. Nice. Spike is unwisely experimenting with power-dressing, sporting a huge shoulder-padded suit jacket and looking vaguely reminiscent of Hillary Clinton during her husband's first term in office. You know, except for the giant punk hairdo. She's complaining that Shane won't talk to her any more (really, probably a good thing, considering his classy treatment of the whole pregnancy situation).

Just in case anyone missed the end of the last episode, Spike quickly recaps her dilemma: "I'm too young to have a baby, I don't wanna be a mother, and I don't wanna have an abortion, either." Erika asks if Spike would have an abortion and tell her mother it was a miscarriage, but her line is mostly drowned out by the bell (I had to listen four times before I could figure out what she was saying), so… that goes nowhere.

People come into the classroom, and Shane very pointedly ignores Spike's attempts to catch his eye. Still a tool, then.

Everyone has to leave their signed report cards on Mr Raditch's desk, and when Joey leaves his, Raditch asks him what his parents made of it. Joey smarms that his parents said nothing because "they're not too concerned about school and stuff". This is probably not the best way to slip under Raditch's radar, because he announces that he'll have to "get them concerned" on Parents' Night, which is upcoming. At this, Joey collapses theatrically into his chair, and everyone stares and laughs at him, even Wheels. Traitor.

"I know some of you are worried about Parents' Night – don't be. It's not a conspiracy," announces Raditch. It would be a bit more convincing if he hadn't just tried to make Joey worry about Parents' Night.

After class, Raditch reminds everyone that there's a rehearsal for the Parents' Night talent show in five minutes' time. Once out in the corridor, Joey wails, "I forgot about Parents' Night!" while walking past a giant Parents' Night poster. Parents' Night is rapidly shaping up to be the new Photo Day. There's some light-hearted banter with Snake and Wheels over whether Joey's parents will kill him, or just break his arms, and Joey insists he only hid his report card in order to make his parents' lives easier. If only all kids were as thoughtful as Joey.

At this, Snake points out that Parents' Night was announced on the report cards, so Joey's parents have no idea it's on, so Joey should just forge a note from his parents saying they can't be there. Problem solved. Wheels points out that it's a stupid idea, but nobody listens.

Once they're gone, Heather and Erika drag Spike out of the classroom. "I don't know about this," Spike moans. "Oh look, he talked to me about it once. Wheels doesn't mind being adopted," says Heather. So… it turns out Wheels is adopted all of a sudden. Glad we got that straight. Spike says Wheels was just one of the lucky ones, and ended up with nice parents (even if they are fond of show tunes and alien conspiracy theories). The twins insist that there are lots of nice adoptive parents out there, and anyway, Spike doesn't want to have the baby or have an abortion, so she has no other option. So there.

Next we see the talent show rehearsal, and it looks like "talent" may be a slight exaggeration. Even by Degrassi standards, this is just completely bonkers.

So, some kid in a top hat and Timmy Mallett glasses is playing backing music on a keyboard. On the stage, Caitlin's wearing pink short-shorts, a Hawaiian shirt, an oversized pith helmet and a waist-length blonde wig; she's accompanied by Arthur, who's wearing a cavalier wig, a huge wooden necklace, and an "ethnic" shirt. This is his attempt at drag. Caitlin having caught the rap bug two episodes ago, she's somehow talked Arthur into doing a rap duet, with lyrics as follows:

Caitlin: "I'm Phyllis!"
Arthur: "I'm Fran!"
Both: "We're going south to get a man!/We'd better find one soon, we're getting really tense/And since he's got to be just right/We've stayed up all night/Making up a list of his requirements…"

Then, while attempting to dance, they trip over each other. Seriously, the whole thing is insane.

(Also, the routine seems so massively out of character for Caitlin that I can only assume it's some sort of feminist cautionary tale, in which Phyllis and Fran end up discovering political lesbianism before becoming Marxist revolutionaries in Peru.)

Backstage, Wheels and the guys are getting ready for their rehearsal. Joey wants to shoot their first music video on top of a building, but Snake thinks that's passé, and in true '80s style, wants to shoot it in a studio "with smoke machines and dancing girls!" "What do you do," asks Joey, "rent your ideas from Bozo the Clown?" Uh, yeah. Clowns are notorious for their clichéd music videos.

Joey, by the way, is wearing a huge black-and-grey wig. He looks like a badger. He is not in a position to criticise anyone else's aesthetic choices.

Just then, Spike appears in the doorway and asks Wheels for a word. They go out and sit on a convenient staircase. Meanwhile, Joey and Snake argue over whether the music video should have a dream sequence or not. But the real question is: should they lose the sax solo?

Spike asks, "You know I'm pregnant, right?" Wheels nods awkwardly. So yeah, I guess we're meant to assume that one of the twins talked, because it seems to be common knowledge from here on. Spike explains that she's thinking about putting the baby up for adoption, and Wheels nods awkwardly again. This isn't really going too well. "Seeing as you're adopted, I was wondering if you could ask you some stuff." Wheels finally realises where the conversation is going, and relaxes slightly.

Spike asks if he ever thinks about his birth parents, and he says, "Sometimes." She then asks if he knows anything about what happened, and he says all he knows is that they were too young to keep him and that he was born at 6am. When asked if he's mad at them for giving him up, he thinks and answers, "No… I don't think so." Basically, he's willing to help, but completely inarticulate.

Caitlin and Arthur have finished rehearsing. Arthur in particular is an awful dancer, and Ms Avery proceeds to damn them with faint, insincere praise: "Okay, not so bad… needs a little work but that's what rehearsals are for. Don't you get discouraged!" Both kids look completely crushed.

Next she calls for Joey and Snake and Wheels, and you can tell she's a freewheeling liberal because she actually calls Snake and Wheels by their nicknames. Wheels hastily tells Spike to let him know if she has any more questions, then joins the others on stage.

"I hope you guys know your music this time!" shouts Ms Avery. This raises the ghastly spectre of a previous rehearsal that went even worse than this one: Joey is just pawing at random notes on his keyboard, Wheels is playing the same note over and over again on his bass, and Snake's guitar seems to have no purpose other than making the speaker give off horrible feedback. "It sounds awful," Melanie whispers, while Ms Avery desperately tries to keep from laughing. Spike watches the guys for a minute, wondering if all adopted children go on to join atrocious bands, then beats a hasty retreat.

A little later, the guys are coming out of the building, and the worst part is that they actually think they sounded good. "That was the best rehearsal ever!" shouts Joey. "We've never played that well!" answers Snake. They all shout disjointed phrases like "excellent!" and "amazing!" and "all right!" and they are completely, utterly deluded.

Wheels goes off in one direction, Joey and Snake in another, and once Wheels is alone, the man in the yellow gloves gets out of his car and walks slowly to the school fence. Wheels sees him and stops walking. "You're Derek Wheeler, right?" asks the man. "I'm Mike Nelson. I'm your dad." And with that, a thousand Mystery Science Theater crossover fanfics were born.

Wheels stares back at the man, who keeps talking: "No, wait. It's true. You were born at Eastern General. 6am on a Friday. Your middle name is Michael. Let me show you something." He throws Wheels a little string of beads, some of which spell out "Nelson". "That's your birth necklace. They put it on you when you were born." Well, the name "birth necklace" would sort of suggest that, but has anyone else even heard of these things, or were they just invented so the writers would have something to hang some symbolism on?

"This is fake," says Wheels. "No, it's real," the guy answers. So that settles that question. Anyway, the guy, who I might as well refer to as Mike, says he just wants to talk, and there's no pressure, but he leaves Wheels a piece of paper with his phone number. He drives off, and Wheels takes the piece of paper and heads towards home, trying valiantly to look conflicted but actually just looking like the sun's in his eyes.

Later, Wheels is at home, staring at the necklace and the piece of paper, and I'm 99% sure he has a frieze of the Bayeux Tapestry on his bedroom walls. I'd mock him, but I'm actually pretty jealous. Also, that ridiculously elaborate drumming is back again. Derek's adopto-mom comes up to check that he's doing his homework, and he runs to his desk and pretends to be working.

"You know I don't like to nag you, but your report card wasn't very good," she tells him, in case we'd forgotten his earlier conversation with Snake. Wheels promises that he's nearly finished his homework, then, once she's gone, goes back to staring at the necklace and piece of paper. I love how people on TV can't think about a topic unless they're looking intently at some relevant object.

Next morning, Joey and Snake are still arguing over their conflicting visions of fame. "If we wanna sell the album we've got to go on tour!" Joey insists. "It'll be great – there'll be groupies, we'll have T-shirts that say 'Joey and the Joybuzzers'…" "I don't think my parents will let me miss that much school," Snake answers. Joey just points out that rock stars don't have to go to school. Which is admittedly true, but very few rock stars are 14 years old.

Up in the library, Wheels is staring morosely out the window. Joey comes over and shows him the fake note he's giving to Mr Raditch, and Wheels reads it out for our benefit. "Dear Mr Raditch: we regret to inform you that we are unable to attend parent-teacher night due to having a highly communicable disease." As forged notes go, it's pretty awesome, but Wheels just hands it back and goes back to angsting out the window. The others stare at him for a bit, then Snake asks him what's up.

Wheels explains about what happened yesterday. "Are you sure the guy's for real?" asks Snake. "There's a lot of weirdos out there." Yeah, perverts are always hanging around outside schools, pretending to be people's birth parents. Wheels points out that the guy did know a lot about him, and Google hasn't yet been invented, so he must be telling the truth.

And Wheels has made a massive miscalculation in telling his troubles to a pair of teenage boys. "This is great! I wish I was adopted – my parents are so boring," says Joey. "We could do a song about this!" Snake exclaims. "That's right!" Joey answers. "This is research!" Then they both start drumming on the table and chanting, "My dad is back, he's got lots of money…" Wheels goes back to staring out the window and inwardly vows never to tell them anything ever again.

Oh hey, speaking of birth fathers, here's Shane. He walks in and drifts over to sit on a couch, carefully ignoring Spike and the twins. Spike runs through her pregnancy dilemma yet again, for the sake of the more forgetful viewers: neither of them wants her to have an abortion or to have the baby. Hm, I'm getting the impression that teen pregnancy is a complicated issue with no easy answers… thanks, Degrassi writers! Also, Shane is in deep denial about the whole thing. "I just wish he'd talk to me," she sighs, as Shane buries himself in a textbook. Well, he may have screwed up two lives, but at least his grades will be really good.

Later on, Joey is frogmarching Wheels to a phone box. Wheels tries to voice some doubts, but Joey's having none of it. Wheels is so whipped he doesn't even close the door on the phone box before dialling, and just lets Joey stand there, breathing down his neck. As he gets through to Mike, Joey nods solemn encouragement, and there's a wholly inappropriate little synth flourish on the soundtrack.

After the commercial break, we are shown the most depressing restaurant ever. The shop front is a deathly grey and half the letters have peeled off. It's called [somebody]'s Grill, but the owner's name is now completely illegible, either because the sign is a million years old or because the place is so bad that nobody wanted to be held accountable. This is where food comes to die. Inside, Mike makes some chitchat with the waitress, then brings two milkshakes over to the waiting Wheels. "Pretty neat, eh?" he says chirpily. "We both like chocolate milkshakes – must be heredity." Wheels rolls his eyes, then semi-relents enough to ask Mike what he wanted to talk about.

Mike takes out his wallet and produces a black-and-white studio photo of a girl holding a baby. It's presumably Baby Wheels and his birth mother, although this isn't actually made clear. "She's pretty, eh?" asks Mike. Wheels forces an awkward smile; possibly he doesn't feel all that comfortable evaluating the attractiveness of his own mother.

Mike explains that he and Wheels's mother lost touch, and were only 16 when they had him, but didn't want to give him up, and they wanted to do the right thing, but didn't know what that was. Wheels listens, but it's fairly clear the whole encounter is torture for him. "We were just kids," says Mike. "I'm still a kid! Who else would go from town to town playing in a band?" I'm not sure if he's really being self-deprecating, or just pretending not to think he's the coolest guy ever. Anyway, Wheels's whole face lights up at this revelation, and he eagerly asks what Mike plays (drums) and says he plays bass. You know, just the one note for now, but hopefully he'll learn more some day. "That's heredity!" says Mike. Wheels grins and drinks his symbolic milkshake. Happy music plays.

Later, Wheels and Mike leave the restaurant, Mike giggling hysterically so we know they're still having a good time. Wheels asks, "How'd you find me? I thought you weren't supposed to know where I was." "We weren't supposed to know where you were," Mike admits, "or who your foster parents were. But I found out, kind of by accident." And that's all the explanation we're getting on that front. "I sort of kept tabs on you," Mike continues. "Whenever I'm in town I check the phonebook, make sure you're still here." Oh, and Wheels finally realises Mike was the crank-caller from the start of the episode (making him basically the last person on earth to figure this out).

Wheels turns to go, but Mike calls him back again. "We rehearse afternoons," he tells him. "We're not bad for a bar band. Why don't you come on down and check it out? How about tomorrow?" "Great, thanks, so I'll see you tomorrow!" says Wheels. So… tomorrow, then. As they go their separate ways, we see that bad mullets are also hereditary.

That night, Wheels is on the phone to Joey, and he's clutching the birth necklace so we know he's still thinking about Mike. He enthuses wildly to Joey about how Mike is nice and is in "a real rock band!" and invites Joey along to watch them rehearse. Joey, of course, is tied with Kathleen for the position of "last person you should ever bring along to any kind of possibly sensitive encounter".

Just then, Wheels's parents get home, and once Wheels hangs up, his dad earnestly asks him, "Hey Derek! Ever heard of a group called the Gourmet Scum?" Ahahaha, best band name ever. Wheels says the Gourmet Scum are "amazing", and his dad proudly produces a pair of tickets to their concert tomorrow. Wheels looks stricken, and says he can't go tomorrow, because he has a rehearsal for the talent show. And it looks like Wheels's special talent is shattering his dad's hopes and dreams, because Old Man Wheels is utterly crushed.

Next morning, at school, Spike and Shane are having a vicious row. Spike tells him to face up to what's going on, and he says he can't do much more than he's already doing (i.e. nothing at all). Well, at least they're talking. Meanwhile, Joey and Snake are still arguing about band names.

Joey heads into the bathroom, still talking to himself about how "Snake and the Sneeze" is a stupid name, and finds Wheels moping in the corner. And who could blame him? He's wearing a white poloneck under a brown diamond-pattern sweater vest. I'd hide in the bathroom too if I was dressed like that.

Joey, in an unusual display of awareness of other people's feelings, asks Wheels what's wrong. Wheels explains that his dad asked him to go to a concert last night. "I thought you were going to your other dad's band rehearsal," says Joey. "Mike's not my dad, ok?" Wheels snaps. "I've already got a dad." Joey is completely baffled, but apologises anyway. In case the audience is as stupid as Joey, Wheels explains that he feels bad for lying to his parents. "Come on!" says Joey, back to his old insensitive self. "How many times do you get to see a real live band?" Uh.. but Wheels is passing up the opportunity to see an almost certainly better band, so that just doesn't make a lick of sense.

After school, Joey and Wheels arrive at a stabtastic-looking pub called the Duke of Connaught, which apparently existed until quite recently: one review site claims, "This dive bar was the classic place to hang out back in the 90's. Unfortunately it was closed most likely due to illegal activities and depressing people." And it's about to get pretty depressing now, let me tell you.

Inside, the place is empty except for the band (Mike and the Drifters, which: first of all, what kind of band is named after the drummer? also, that name seems sort of copyright-infringey). And oh Christ, are they awful. I mean, they can carry a tune, more or less, but it's horrible rambling instrumental cock-rock, and even though we only hear them play for about 20 seconds, it feels like it goes on for fucking ever. Give me Caitlin and Arthur's drag rap any day.

Anyway, once the horror has temporarily abated, Mike jumps up to say hi to Wheels, and proudly introduces him to the others. "Hey guys, check it out – this is Derek, my kid!" Wheels stares at him in outrage, while the band express their amazement: "Hey, you never told us you had a kid!" (ouch), "Man, he sure looks like you!" (untrue except for the mullet), "Does this mean we get to call you Dad?" (buh?).

Wheels flips out at this: "I belong to my mum and dad! I'm not his!" Joey frantically tries to shush him, and Mike tries to reason with him, but Wheels just keeps ranting: "Stay away from me. What did you come back for? You're messing everything up." Ugh, the kid misses one Gourmet Scum concert and apparently his life is ruined. Teenagers. "I'm not trying to mess anything up. I care abote you," Mike protests. "Yeah," says Wheels. "You care abote me so much you got rid of me? I was a mistake." He turns to go, then stops: "And I don't want your stupid necklace, either." In all fairness, jewellery is rarely a good gift to give a 14-year-old boy.

Wheels storms out, and Joey runs after him. "Forget it, Joey. I'm not going back. Ever," Wheels emos. "But they're a real baaaand!" wails Joey. Like I said: pretty much the worst person Wheels could have brought along.

Later, Wheels gets home, and… why the hell is there a framed photo of some jellybeans on the wall? Anyway, his parents are sitting in the pitch dark for some reason, waiting for him. "Everything's going to be all right," his mother announces out of nowhere. "What?" asks Wheels sensibly. "Mike telephoned," his dad explains, and yes, he actually says "telephoned". Because he is just that old-fashioned.

"He apologised for any trouble he caused, as well he might," says Wheels's mom, who is also old-fashioned. Anyway, Wheels's parents tell him that it's ok to be curious about his birth parents, and they totally support him. And this backfires spectacularly: "Don't you want me any more?" asks Wheels. "I don't want Mike. I want you! I wish things were like the way they were!" And then he storms off to his room, possibly the only teenager ever to have a tantrum because he loves his parents so much.

Next morning, Joey and Snake are still arguing about band names (yawn) when Raditch calls Joey over. "Real shame my parents can't come to Parents' Night," Joey remarks. Raditch tells him, "The note was so sad that I just called your parents to express my sympathy… they were very curious about the note and they promised to be here." So, Joey is rumbled, to the surprise of nobody except himself, and that whole scene was basically filler.

Oh hey, Spike and Shane are having another argument. "I don't like being told what to do!" yells Spike, who's wearing a handmade grandma cardigan, in a shade of pinky beige that thankfully doesn't exist any more, yet again betraying how the wardrobe people on this show had absolutely no idea how punks dress. "You didn't get pregnant by yourself, you know – I have some say here," says Shane. "One dumb mistake and you're in charge of my life?" Spike retorts. Wait, what? Yesterday they were fighting because he didn't take an interest, and now they're fighting because he does? Dammit, show! Make more sense!

"I thought you liked me," Shane sighs, irrelevantly. "Sure I like you," says Spike (I really don't know why, since he's been completely unlikable throughout), "but we're only fourteen, and we're not in love or anything." Shane responds calmly and maturely by flouncing off in a huff.

Wheels comes over to ask what's up. "Shane and I aren't going to see each other any more," Spike explains. Wheels stares at the floor awkwardly. He did ask. "I'm still thinking of putting the baby up for adoption," she continues. Wheels keeps staring at the floor. "But what happens if I love it too much to give it away?" she asks. Wheels unhelpfully tells her to "do what's right", but Spike complains that she doesn't know what that is. Oh hey, that sounds familiar! Do I sense an impending lesson?

Wheels goes over to his locker, and Spike follows him, clearly reckoning that a confidant who gives no advice at all is still better than Erika "you can't get pregnant your first time" Farrell. "If I do give it up for adoption, I'd like to meet it later on, just to explain why I had to give it up," she says. Wheels remains completely silent and is looking acutely uncomfortable with this whole conversation. "You don't think that's wrong, do you?" asks Spike, possibly just to check if he can still hear her. "No," says Wheels hastily, perhaps because he suddenly understands his bio-dad's motivations, or perhaps because he just wants Spike to leave him alone.

That evening, he's at home practicing the bass, and he's clearly had a breakthrough because he can now play two notes. Go Wheels! His mother passes his door, and he calls her back to make sure she knows about Parents' Night, and to ask if she and his dad will stay to watch his band afterwards. "We wouldn't miss it for the world!" she says. "My son, the star!" Even Wheels knows that she's slightly overstating things (two notes is still not a lot), but she just tells him, "You don't see it through our eyes." So, despite the fact that they previously teased him for his taste in music, it seems his parents still love him enough to sit through an awful talent show. Awww. Wheels ponders this for a moment, then goes back to playing his two notes. Not terribly well.

Aaaaugh, wait. I take it back. I will gladly listen to Wheels playing two notes for an hour rather than have to watch another scene of Mike's horrible band playing. Thankfully, Wheels turns up again, and eventually they notice him and shut up. Oh ew, the guitarist is wearing a leather waistcoat.

Under the watchful eyes of his bandmates, Mike goes over to Wheels and apologises for, you know, stalking Wheels and going behind his parents' backs and so on. "I was afraid they'd say no and I couldn't see you," he explains. Yeah… that makes the stalking more creepy, not less.

"Is it ok if we don't see each other for a bit?" asks Wheels. "But I'd like to call you some time. Later." "Yeah, sure," says Mike sadly. "See you, Derek." This whole thing is made much more awkward by the fact that Mike's bandmates are all standing about two metres away, not even pretending not to listen.

"Most of my friends call me Wheels," says Wheels. Mike smirks like he knows what a stupid nickname that is, but all he says is, "Ok, Wheels." "You still got my necklace?" Wheels asks. "Your necklace?" "Yeah, my necklace." If you say "necklace" too many times it doesn't sound like a word any more. Mike digs around in his pocket and throws the necklace to Wheels, who catches it and smiles. End credits.

Oh, and we never find out what happens on Parents' Night.

Dubious lessons of the week: Adoptive parents are boring; birth parents are cool. But both kinds of parent will give you crappy birthday presents. Also, never ever talk to a 14-year-old boy about your problems.

Thursday, October 22, 2009

S01 E11 – It's Late!

Finally, as the episode title suggests, we have come to the infamous Teen Pregnancy Plotline. Anyone who was even marginally aware of Degrassi back in the day knew that some chick got knocked up in it. The story won the show something called an International Emmy and was a big part of why it became so famous. More importantly, it also features some of the most ham-handed foreshadowing and attempts at being educational in Degrassi history. Which means it's time for another Degrassi drinking game! Grab some Canadian booze and get ready to get as drunk as Stephanie Kaye at the big school dance.

We start at Lucy's place, where a party is winding down. You can tell it was a wild party, though, because there's popcorn strewn over every available surface. Nothing says "fun" like popcorn-flinging! And it seems everyone's getting lucky tonight. The first thing we see is Shane and Spike making out in the hallway. In the living room, people are slow-dancing; Heather is dancing with Tim, Snake is dancing with (and kissing) some extra in a lumberjack shirt, and Erika is dancing with Wai Lee. As Lucy's going up the stairs, she meets Joey coming down, and he's followed by… Wheels. Ok, some of the kids are getting luckier than others.

They congratulate her on what a great party it was. "My parents would never let me have a party if they weren't around," remarks Wheels. "Lucy's are never around," Joey whispers to him. What, even Joey knows about her abandonment? Obviously Voula told everyone, possibly in revenge for Lucy getting her arrested.

Joey and Wheels go down the hallway, where they find Shane kissing Spike. In an incredibly creepy move, they both start stroking Spike's shoulder, and when she tells them to go away, Joey asks, "What's the matter? Can't we all share?" AAAAAUGH MENTAL IMAGES.

Oddly enough, Spike is not all that keen for a foursome, and Shane leads her into a convenient nearby bedroom, shutting the door behind them. (Wait, if Lucy's bedroom is in the basement, and her parents' is on the ground floor, what the hell is upstairs?) Joey laughs and says to Wheels, "Let's go over [to the kitchen] and pick up some – " either "chicks" or "chips", I can't tell which he says, but I can tell which he's more likely to get. (The sound and lighting for this whole scene are awful; it's hard to hear, and impossible to see anyone's face properly.)

Spike sits down on the bed. Shane smirks (I think?) and sits down next to her, and they lie down. The whole thing looks incredibly awkward.

Back in the living room, Heather comes over to Erika and taps her on the shoulder, saying it's time to go. "Now?" asks Erika in dismay, then says a regretful goodbye to Wai Lee. I mean… Wai Lee? Is he that much of a catch? He's wearing a tan sweatshirt to a make-out party, for Chrissakes! (Although Snake seems to be wearing something pastel pink and sort of lacy, and has totally scored, so I don't really know what to think.)

The twins start looking for Spike, and Joey directs them to the bedroom, adding in an insinuating tone that Shane's in there too. The girls roll their eyes as if he'd suggested something totally ridiculous. What do they think is going on in there? "Spike!" yells Erika at the bedroom door. "Heather and me are leaving – are you going to come?" Isn't that kind of a personal question?

Erika realises that the door is locked, and wants to know what the "big idea" is. "Come on!" she yells. "What are you doing in there?" Wait, isn't she the streetwise twin? How has she not figured out what's going on?

And the scene just ends there, with the twins shouting at the locked door and everyone else staring at them. So… I have no idea how that whole thing ends. I mean, other than the fact that Spike and Shane totally do it. Duh.

Anyway, after the credits, it's morning, presumably somewhat more than two weeks later. Spike's being dropped off at school by her mother, who's lecturing her: "Christine, you know, when you're late [drink!] and I have to drive you to school, then that makes me late… What's the matter with you these days? [drink!] You do nothing around the house – you're thoroughly unpleasant to live with." Spike snaps back, "Well, maybe if you stopped treating me like a little baby – " Drink! "Stop acting like one!" shouts her mother. "Listen, it isn't easy raising you by myself [drink!] – a little co-operation from you would make things a lot better!" Spike gets out of the car and storms off to school. She's wearing yet another pair of fugly trousers, by the way: grey, very baggy, very tapered, and two inches too short. They are most certainly not punk.

In the classroom, Mr Raditch is talking to his class. "This morning I'd like to talk to you a little about a decision that you're going to have to make in the very near future." Drink! Just then, Spike comes in, and Raditch complains that "being late [drink!] is becoming a habit. It's disappointing when such a student sets such a bad example." Drink! I wasn't kidding about the foreshadowing.

Anyway, Raditch rambles on about how they're going to be choosing courses for high school soon. Spike looks over at Shane, but when he smiles at her, she turns away and stares at her desk. He looks frustrated.

After class, everyone's leaving, and Voula's wearing a sweater vest over her peasant blouse. It's a whole new level of ugly. Also, Alexa is wearing Caitlin's badly handmade pink sweater from last episode. Anyway, one of the twins asks Spike what she wants to be when she grows up, but Spike snaps that she doesn't want to talk about "careers and stuff". The twins are offended.

Just then, Shane pervs over to tell her, "Lucy's having another party like the one last month." Like the one where we had sex! We could have sex again! Please can we have sex again? Spike angrily tells him that she doesn't want to go, then flounces off.

Joey, the king of tact and timing, immediately corners Shane and demands to know what really happened at Lucy's party. "Wouldn't you like to know?" Shane smugs. Um… acting like that is probably not the best way to convince a girl to sleep with you again, Shaney boy.

"I bet they were just kissing," Wheels mutters to Joey. What's it to them, anyway?

Well, time for a light-relief subplot, and thankfully it's not an Arthur and Yick one this time. Melanie is reading her horoscope to Kathleen. Unfortunately, her diction is kind of bad, so I can't hear the exact wording, but the word "romance" is in there somewhere. "I could do with a good romance," says Melanie brightly. "Course, what I'd really like is a hickey."

Kathleen, predictably, says that hickeys are gross. "They're not gross!" says Melanie. "They're romantic. If you've got one, it means you've got a boyfriend. If you've got a boyfriend, you can go out on dates!" Ah, Melanie logic. I've missed Melanie. And speaking of dates, Snake the Man-God walks by. Melanie says hi, he says hi back, then walks off. As always.

"I give up," she sighs. "I'll never have a boyfriend." Kathleen points out that she's still only 12. "Twelve and three-quarters, actually," Melanie argues. "That's old." Bless. Just then, they pass Arthur and Yick… oh, I spoke too soon. Feck. Melanie says hi to Arthur, but ignores Yick, who stares after her wistfully.

"You like Melanie?" asks Arthur. Yick says yeah, but he's too scared to ask her out because she might say no. "She might says yes," Arthur tells him. "You never know till you try." Um, all of Arthur's experience with girls comes from once having nearly watched Swamp Sex Robots, which presumably had some girls in it, but we'll never even know that for sure. I wouldn't set great store by his advice.

Oh man, Joey and Wheels are peeing again. Why, Degrassi, why? Joey is rambling about how cool Lucy's parties are, because her parents are loose and don't love her. "Would your mom and dad leave you alone for a party?" he asks. "My mom won't even let me turn the lights off," Wheels admits. Wait, like, as in shutting up the house last thing at night, or she actually won't let him operate the light switches? Canadian parents are strict, you guys.

"No way Shane and Spike would have gotten into the bedroom at my house," Joey remarks. "Do you think they really did it?" asks Wheels. Bearing in mind the party was several weeks ago, I think this is developing into an unhealthy fixation. Just then, Shane comes in, and Joey immediately asks him, "If you really did it… tell us what it was like."

Shane looks at them very seriously and asks, "Why, you guys never had sex?" "Yeah, of course I've had sex," Joey says quickly. "Yah, me too!" Wheels chips in. "Lots of times!" They are both very bad liars. As all the guys stand in front of the mirror and comb their ridiculously flowing '80s locks, Joey again asks Shane what happened, and Shane tells him it's none of his business.

Wheels, who has slightly more brains than Joey, asks a rather more pertinent question: "How come Spike won't talk to you any more?" Shane is surprisingly unbothered by this particular bit of nosiness, and says she's just in a bad mood. "Probably her period or something," laughs Joey. Drink! Joey and Wheels walk off, chuckling merrily at the thought of Spike's period. Guys are weird.

Meanwhile, Spike goes into the girls' bathroom. She stares at her face in the mirror, the way people on TV always do when they're worried about something, and people in real life never do, unless it's acne they're worried about. The twins follow her into the bathroom and demand to know what's up.

After some angsty staring at the far wall, Spike turns around and announces, "My period's way late – it's always been on time before. I think I'm pregnant." The twins look horrified, and there's a long pause, during which we can hear the crappy plumbing making weird noises.

"But you can't be pregnant unless you've had sex!" says Heather. Uh, yeah… about that. Spike hangs her head. "You did it?" asks Heather. "With Shane?" asks Erika. Why are they so surprised? They were listening at the door! Spike continues to look tortured; the plumbing continues to be distracting.

Out in the corridor, Yick tries to say hi to Melanie but she ignores him again. "It looks to me like you need some serious help. From me," says Arthur. "What do you know about girls?" asks Yick. It's a legitimate question. "When you've got a sister like mine, you learn fast," replies Arthur, which is a statement that becomes more unsavoury the more you think about it, so please let's not think about it.

Back in the girls' bathroom, Spike and the twins are still talking. "If it's the first time, you're ok!" says Erika. "You can't get pregnant the first time." "I don't know if that's true," Heather meebles. "Of course it is," Erika insists. "Everyone knows that." Everyone except for scientists and doctors, that is. But Erika's suddenly decided she's the fount of all reproductive knowledge, and insists that Spike's period is just randomly irregular all of a sudden and EVERYTHING WILL BE JUST FINE. Spike stares into the sink and the twins awkwardly hug her.

Later, Spike walks into her mother's hair salon, and… look, you might as well just start drinking now and not stop until this scene is over. Spike's mom is styling some woman's hair, and the woman is telling her that someone they know is pregnant – "Again!" Spike's mom is delighted. Spike says hi, and her mother apologises for being cranky that morning. The client keeps talking. "Six kids and another one on the way. She seems very happy – she certainly must enjoy being a mother!" Spike, who's sweeping the floor, looks increasingly uncomfortable.

"Mom," asks Spike, "some friends and I were talking and someone said you couldn't get pregnant the first time you had sex…" "Wanna bet?" asks her mother. "They say one in five girls gets pregnant the first time." Wait, what? That's just a spectacular lie! What the hell, Degrassi writers?

Not content with repeating made-up statistics, Spike's mother proceeds to give Spike, and the viewers, a quick run-down on pregnancy myths. "It's amazing what some people believe, like you can't get pregnant if you stand up immediately afterwards – not true." "Or, you can't get pregnant if you keep your eyes closed," adds her client helpfully. Is everyone taking notes? As Spike goes behind a convenient partition to angst in private, her mother keeps talking. "All these myths! I wish someone had told me the facts. I was seventeen when I had this one. I was dreaming of going to university, but I had to leave school and go to work." "Well, Christine's a good girl," says the client. "You can be sure she's going to university…" OK OK OK, being a teen mother is hard! We get it!

Back at school, Arthur the Date Doctor is coaching Yick on how to ask Melanie out. "She can't say no after a compliment," he says, and this is clearly the day for sweeping, wholly unfounded statements. They stop halfway up the stairs for Yick to practise complimenting. He gazes into Arthur's eyes and breathes, "Your eyes are so blue, they remind me of swimming pools." However, Snake and Tim overhear this, and Snake looks deeply, deeply weirded out by it. And who could blame him? Not the gay thing, I mean; it's just that Arthur has brown eyes (and, in fact, so does Melanie).

Anyway, since that went so well, the guys go up to find Melanie, who is still rambling at Kathleen about horoscopes. Yick stares up at her (she's about a foot taller than him) and tells her, "Your eyes are so blue they seem like pimming swools." The girls burst out laughing and mock him mercilessly until he runs off, pausing only to call Arthur a broomhead.

After lunch, Spike's in the library with the twins. Heather's nagging her to get a pregnancy test, but Spike says it's too embarrassing. "I heard it's easy!" expositions Heather. "You can buy a test and do it at home, or go to the clinic and they'll do it. They won't tell your mom." I hope everyone's taking notes. Or at least another drink. Spike insists she's not going to the clinic, but the twins helpfully/nosily offer to go with her, and Heather points out that if she is pregnant, she'll have to see a doctor anyway.

"If I am pregnant, my mum'll kill me!" says Spike, then stares over at Shane, who's been sitting conveniently within her line of sight the whole time. He smiles tentatively at her, and is rewarded with death stares from all three girls. He hastily goes back to his book.

Once the bell goes, he grabs her by the arm on the way out, but she shakes him off. He follows her anyway. "Wait up! I thought we were going steady; why are you treating me like this?" Wait, going steady? Um, it's 1987, not 1957.

"You really want to know?" asks Spike. She drags him from the corner of the hallway where they're standing to… another corner, which isn't any less private. I suppose they needed to stretch out the scene a bit. "Remember Lucy's party?" she asks. Shane smiles sleazily. "Yeah," he tells her. His tone is wonderfully inappropriate for this moment. "I think I'm going to have a baby," Spike announces. Shane asks if she's joking, and when she says no, he just backs away. Literally, like, without a word, just backs away and is outta there. Shane is one classy, classy guy.

After the break, it's the next day. Voula's proudly showing off photos of a baby. Drink! When Spike and Shane comes in, Alexa calls them over: "Come and see the pictures of Voula's sister's new baby!" Um, either he's not that new, or I feel awfully sorry for Voula's sister, because he's the size of a two-year-old.

"I can't wait till I have a baby," Alexa announces. Take a big drink now. "Are you kidding?" asks Lucy. "Babies pee twelve times a day, so you're always changing diapers." Spike looks horrified at this newsflash. "Oh, but just imagine how great it'd be," Alexa sighs. "Someone to love you for the rest of your life." Spike looks up at Shane, who looks hastily away. Still classy. "Yeah, really great," says Lucy, "especially when they wake up in the middle of the night, so you don't get any sleep." Spike looks startled at this, too. Wait, babies wake in the night? She exchanges another awkward look with Shane, but just then Mr Raditch comes in, so everyone has to sit down.

Raditch announces that he has "a bit of a treat" for them: the Victorian Romantic poets. Par-tay! He starts to read out a love poem by Elizabeth Barrett Browning. Spike tries to make soulful eye contact with Shane, but he pointedly stares out the window until she gets the message. Ouch. Joey notices something's going on between them, and the twins exchange looks that say, "This really isn't going well."

Later, Shane comes into the boys' bathroom, and engages in some half-hearted cubicle-door-punching, but he doesn't get too into it, because he's quite middle-class. Joey and Wheels, who apparently have nothing better to do, follow him in. Joey, at this point, is a man possessed, and instantly demands to know, "At Lucy's party – did you or didn't you?" Why the hell is he so invested in this?

Shane starts to go, then turns to the others. "What would you guys do if you got someone pregnant?" "Spike's gonna have a baby?" asks Joey. "No!" says Shane. "It's just a question, that's all. I mean, it wouldn't be the guy's problem, right?" Shane McKay, ladies and gentleman: always classy. "It'd sort of be his baby too," Joey points out. Shane looks like he was really hoping that wasn't the answer, and shuffles away. Look, Shane, if Joey Jeremiah is less of an irresponsible douchebag than you, you should just give up now.

"You think Spike's pregnant?" asks Wheels. "Nah, they never really did it," says Joey. "He's bluffing so we'd think they did. Right?" "Right," Wheels agrees. Um, right.

Later, as the Grade Sevens are leaving their classroom (hey, they were being taught by the elusive Ms Baxter!), Melanie reads Kathleen her horoscope. Apparently she's due to get a surprise gift. Arthur and Yick overhear this, and Arthur promptly runs off to steal a vase of flowers from Ms Baxter's desk. He tells Yick, "She's got to talk to you if you give her flowers. Girls like to get flowers. They think it's romantic or something." I think Arthur hasn't quite understood the bit where girls don't like to be given stolen property, or patronised by porn-watching geek kids. Yick complains that he feels like a broomhead, and Arthur sensibly doesn't deny this, just tells him to hurry up and give Melanie the flowers already.

Unfortunately, because Yick is a broomhead, he shoves the flowers right in Melanie's face. As only happens on TV, she instantly starts sneezing (and throwing all her papers up in the air, wtf?). "She's got allergies! Flowers make her sneeze!" Kathleen unnecessarily expositions. Yick runs off, blaming Arthur as he goes.

After school, the twins are lying in wait for Spike. "We're coming to the clinic with you," announces Erika. "I don't want to go to the clinic!" Spike hisses. The twins decide that they'll buy her a test instead, because "you'll go crazy if you don't find out". That, or they'll go crazy from unsatisfied curiosity.

Yick is feeling dejected at his terminal lack of game. "I'll have lots more ideas tomorrow," Arthur reassures him. Yick snaps, "I don't think I want to try any more of your ideas. They don't work so good." So he decides to just man up and ask her out… which was actually Arthur's original idea.

He runs after Melanie and asks her to go skating with him. How delightfully Canadian! "You mean a date?" she asks eagerly. She turns to grin at Kathleen, who makes herself scarce, in possibly the only recorded incident of Kathleen behaving tactfully. (Arthur's standing about six inches behind Yick, because tact is not his strong point.) "How about Saturday morning?" says Yick. Yeah, nothing is more romantic than getting up early on a Saturday morning.

Melanie asks Yick what star sign he is, and he says Aquarius. "I'm Cancer," she replies. "I don't think we're supposed to get along. But you are a boy, and it is a date. Okay!" That acceptance was so lukewarm, it was worse than a refusal.

At the chemist's, the girls are stealthily wandering around the aisles. At least they've had the good sense to stay away from Mama Kaye's shop. Erika pulls down a test and loudly reads the instructions. "Collect sample after first urine in the morning. Test takes two hours before results can be read." OMG, two hours? Heather looks at another one. "This one only takes an hour. Do you think one's better?" "Probably both are good, as long as you use them properly," says Erika for the benefit of the audience (so drink up!). I hope you're all taking notes, girls: '80s pregnancy tests are really, really, really crap.

Test safely purchased, the girls leave the shop, and the twins wish Spike good luck and promise to call tomorrow. Off she goes, and we hear some super-gritty, angsty synth music playing over a montage of her walking home. This is soon to become the Spike 'n Shane theme tune, and it plays every damn time they have a dramatic moment together. Which will be often.

Once she gets home, she says hello to her mother, and rather idiotically she's carrying the test in her hand, rather than hiding it in her bag. Her mother offers her dinner, but she says she's not hungry, and is going straight to bed, and there's nothing suspicious about that, no siree Bob. Her mother insists she needs to eat, and then sees the bag from the chemist's, and asks what's in it. Spike insists there's nothing in it, and then tries to hide it behind her back, and then just bolts and runs up to her room and lies on her bed in a rage. She is pretty terrible at acting casual.

Her mother follows her up to her room, and demands to know what's going on. Spike throws a full-scale teenage hissy fit. "I want to go live somewhere else! You don't care about me! You don't care how I think or feel! You know nothing what it's like to be fourteen!" Her mother starts to flounce out of the room, but then Spike calls her back and throws the pregnancy test at her. Um, way to keep a secret, Spike.

Her mother takes out the test, which is some kind of freakish contraption that looks like a cross between an hourglass and a Glade plug-in. "Oh no," she whispers, "you didn't." Spike lies face down on the bed and cries. The tense drama of the moment is slightly undermined by the rustling of the actresses' clothes/the carpet/Spike's blankets, which is for some reason much too loud, and why is the sound so terrible on this show?

Just then the phone rings, and Spike's mother actually goes to answer it. It's Shane calling for Spike, and she says Spike will call back, and look, I know she's stressed and all, but she has the weirdest, most robotic telephone manner ever.

And then they bond, and so on, and the Spike 'n Shane Theme Tune plays in the background, and the point is, the mother clearly isn't as angry as Spike had feared she would be. So the moral is, if you get pregnant, your mother will be totally OK with it. Yay!

Next morning, Spike and her mother are in the car outside a clinic. Spike sensibly points out that she could have just done the test at home, but her mother says that she likes the doctor, and if Spike's pregnant she'll need to see the doctor anyway, and anyway they really need to pad the episode out by adding in this extra scene. So that's that. "I'm sorry," says Spike. "It just happened. I wanted him to like me." "The number of us who've said that!" laughs her mother. "I didn't like it much," Spike admits. So… I suppose that answers Erika's question at the start of the episode?

Just then, Shane arrives, looking shifty. "I don't know why you told him," Spike's mom mutters. "If I am pregnant, it's his baby too, right?" asks Spike. Her mother looks at her watch and says the doctor should have the results by now. What, was the doctor injecting a rabbit or something? She offers to go in, but Spike says she and Shane will go together. Her mother acts supportive, then cries when Spike is gone. More gritty music. Because this is a gritty show!

Spike joins Shane out in the car park. "I'm glad you came," she tells him. But wait, isn't that what got them into this situation in the first place? Ok, ok, I'll stop now. They go into the clinic, leaving Spike's mother to freak out in peace.

Then we cut to a montage of Yick and Melanie ice-skating. They laugh a great deal. They skate. They have lots of wholesome fun. Ice-skating: better than inept, pregnancy-causing sex.

Some time later, Spike and Shane come out of the clinic. They walk towards the car, very slowly. Spike's mother gets out and walks towards them, very slowly. Everyone stares at each other for a bit. "Mum," says Spike, "I'm pregnant." Absolutely nobody is surprised, because otherwise this episode would have been a massive waste of time. Spike and her mother hug, sad music plays, and Shane watches them from a safe distance.

Next day, Spike's sitting alone in a stairwell at school. Some girl asks if she's ok, and Spike insists she is. Then continues to sit in the semi-darkness, staring at her hands. The girl, who is gullible, leaves her alone.

Then Shane turns up, and sits next to her. Because the episode needs some kind of wrap-up, they proceed to have a staged debate on the whole issue; they bicker about whose fault this is, then wonder what to do next. "You don't want me to marry you, do you?" asks Shane, still keepin' it classy. Spike just gives him a withering look. Obviously she's already figured out that being married to Shane would be the only thing worse than being pregnant by him.

Next she suggests having the baby and giving it up for adoption, then adds, "But I don't want to get big and stuff!" Actually, this show consistently presents weight gain as one of the major reasons why teen pregnancy sucks. I don't know why they didn't also have a special episode on how hard it is to find fashionable maternity clothes.

Then she suggests having an abortion. Shane is all anti, and there's a lot of obligatory "It's got rights!" "But what about my rights?" etc. They both agree on one thing: this whole situation is kind of a downer.

"Why is this happening?" asks Spike. "It was just a little mistake." "Sort of a big mistake," mumbles Shane. The closing credits start up and we freeze on Spike's face, as she realises just how much of a douchebag she's dealing with.

Dubious lessons of the week: Underage sex on TV always leads to pregnancy. Your mother will be fine about the whole thing, but the guy will be a total asshole. And pregnancy will make you fat. Go ice-skating instead.